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Jamie Townsend :: Six poems


VERSAILLE

the figure of speech loses its distance

in dreams whole seasons become truncated

ill-tempered waking to the assurance of Prince's KISS

fading I get up to walk through the shimmering air

as the schizophrenic screen makes a tenuous leap to fairytale

in the painting of the coronation the stocking feet are jeweled

a fuck you to Paul Simon's most recognizable image

MY SISTER KNOWS THE SADDEST PEOPLE

It seems like the skeleton key to Arthur Russell's oeuvre

singing to almost perfect strangers



ANGELS

'exploring the evolution of

masculinity through fashion' appears

as a suggested like on my feed

I dream about seeing the Venice

of your dreams as our day in day out

slowly clogs with retroactive culture

on playing Virginia Woolf in

THE HOURS Nicole Kidman

remarked I did enjoy being

anonymous 

towards the end of the album

a sudden transition

between the rambling skit & fan

favorite cut provides suitable

occlusion for a series of precious lyrics

BIG DOUGH REHAB b/w

a detailed list of silk robes

regular freesia

sheer lace underwire

troubleshooting the mechanics 

of LET’S GET IT ON in zero G

has been the main concern

of the scientific community lately

I've been worried about the future 



DREAM

we imagine that

all currency is imaginary

with complete devotion to the change

waiting at the downtown Starbucks

far too long, exhausted

shell of reggaeton splayed

on the operating table of a spacecraft

the corner Duane Reade gleams

professionally desolate like rock salt

scattered late February, clientele outside

snaking drunk around

around the jagged edge of city hall

to find some undesired

time apart mediated by weather

the shape of

black leggings filled in

less by body than thought



RELIGION

he seemed to live on air & light

reading THE THORN

blooms in the most sublime

vocal fry

until it dislocates words

emphatic descending

dagger of high school

binder the immense darkness

inside your mouth pen

15 Club inverted

pentagram graffiti

six feet

deep & lifting tiny

hands through the black out

window fallen

sidebar portal

click to LUCIFER rainbow

embroidered satin jacket

wet hair look

all the meat lost

to Anger

demon mirror

and imagining the rouche

if I could

fuck your clothes

I would be constantly

following a god

through a rainy city

entirely crushing undertow



TERROIR

A specialty liquor store that doesn’t have origin

you know like the kind that births monarchs

a line make me a servant threading filigree

across the cut the song is

a fist thrown like a ghost for real

the unclenched hand

disintegrating in its melisma

in the film the aging pop star councils

the abused teenage aesthete

& her urban drama explodes beyond

the falsely claimed power of daddies

the block is erased by new money

as a single note still clings

to its former life in weak evanescence

the exhausted

heroism of patience

get lifted up on Saturday nights the local

harmony relying more on difference than

what feels strangely familiar



PAD

Look for me beneath the soles of your feet, brah, brah as if we were forced to chose the dust to be included in life, hefting a weight, a marginal list of favorites from every aspect of the day to day, we told ourselves that pervasive gentle humor had draped itself over our nascent fear, settled into it, cheek to cheek, huddled together in a booth, in a flash we saw this phantom manifest as masculine femme, pale yet ample beneath, the shape recollecting an endless continuum of Dutch Masters, pink and brown sliced down the middle, one cloud merging with another folded neatly inside the horizon, the color of flesh and blood somehow misplaced, real love, your body remains, a temple to the lord, an overblond Bond villain, something thoughtlessly commonplace, mistaken for a featureless surface where the presence of any detail might seem grotesque, unearthly, nervously drawing the cloth away, in the small talk about Courbet and the angels, an image given weight with brief pause, an effect of layering imbuing what was once unseen metaphysical force, syncretic, call to worship, a blunt object ringing against our skulls, cartoon hearts leaping out of our chests, indelicate light, coercion of feeling, everything we’re up against collapsing into anxious boredom, on the bed reaching for a genderless Beach Boys song, hidden like a comic or porn in a hymnal, foaming pink mold woven through trees, landscapes depicted in misshapen cartoon bubbles, in the hope that inspiration would eventually reveal itself within a rudimentary language of blood, disappearing before the square halo of a phone screen, piles of soggy discarded fliers by the entryway, an urgency restrained by ugly formal limitations, questions tugging at the ragged edge of breath, what’s that song?, who’s the artist?, where’s it coming from?, and then the requisite, robotic fucking, resolve pushed beneath a weightless discharge, slab of plastic, powder thick as MAC, with all that feeling



Jamie Townsend is a queer poet, publisher, and editor living in Oakland, California. They are half-responsible for Elderly, a publishing experiment and persistent hub of ebullience and disgust. They are the author of several chapbooks and ephemera from Portable Press@YoYo Labs, Little Red Leaves Textile Editions, and Ixnay Press, as well as a forthcoming chap titled Pyramid Song (above/ground, 2018). Their first the full-length collection, Shade (Elis Press), was released in 2015. An essay on the history of the New Narrative magazine Soup was published in The Bigness of Things: New Narrative and Visual Culture (Wolfman Books, 2017) They are currently editing a forthcoming volume of Steve Abbott's writings (Nightboat, 2019).




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submissions :: where is the river

Up to six poems in a single .doc file with author biography and photo to kieferjdlogan@gmail.com

All rights revert to the author/s upon publication.

issue three :: January/February 2018

Elidio La Torre Lagares :: Six poems

walking in Rome
male cicadas foretell the sun
the distance of rain as we walk
through Rome on the 25th of July:
the history of Empire

i touch the breath of fireinside
my mouth birds peck at
dormant words under my steps

roads lead into alibis for an idea of time
when tutte strada vanno a Roma

lady Cicadas, on the other hand, treasure
silence around the marbled stories
of Villa Burghese

Sophie walks beside me painting
the air longing dreams
the world conforms a canvasher voice
a ripe fruit that floats
on the Roman landscape

from the hills of Villa Medici the city
spreads like the wings of an eagle of light
constantly diffusing emergingsomehow
the impending clearance of dependences
melts with the gradation of memories the precise
clockwork of stages

with loss and life to gain

clouds travel homeless



colosseum

The Roman Colosseum-
round as a certainty
or the eye of a hurricane-
was once one of the
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is known of it compared
to the years it has outlasted
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